| Автор | Бібліографічний опис | |
|
Beskorsyi V. et al.
|
From Vinyl Records to Algorithms: How Streaming and AI are Changing the Music World / Kmetiuk T., Demianets I., Beskorsyi V., Toloshniak N., Husar D. // International Journal on Culture, History, and Religion. - 2025. - Vol. 7, Iss. 1. - P. 1187 – 1204.
Author keywords: artificial intelligence; generative creativity; musical art; new technologies; popular music
|
|
|
Kovalenko Y. et al.
|
Digital preservation of Ukrainian audiovisual heritage during wartime: challenges and institutional practices / Yuliia Kovalenko // Culture Crossroads. - 2025. - Vol.27. - P. 73-86.
Author keywords: archival standards; audiovisual heritage; digital preservation; historical memory; wartime archives
|
|
|
Kovalenko Y. et al.
|
Using Serious Art Games to Promote the Circulation of Ideas Embodied in Contemporary Aesthetics / Yuliia Kovalenko, Ieva Gintere, Alvis Misjuns // International Conference on Computer Supported Education, CSEDU – Proceedings. – 2025. – Vol. 1. – P. 342 - 348.
Author keywords: Contemporary Aesthetics; Film Narratives; Interactive Storytelling; Serious Art Gaming; Visual Novels
|
|
|
Cherkasova N.
|
Mister Jones and the depiction of the Holodomor on the world screen / Cherkasova Nataliia // Studies in Russian and Soviet Cinema. — Taylor & Francis, 2024.
Author keywords: Aoftnieszka Holland; Gareth Jones; Holodomor in cinema
|
|
|
Machulin L. et al.
|
Special joint issue of Studies in Russian and Soviet Cinema and Culture of Ukraine (Kul’tura Ukrainy) / Hicks Jeremy, Machulin Leonid // Studies in Russian and Soviet Cinema. — London : Taylor & Francis Group, 2024. — P. 1-12.
Author keywords: cinema; culture of Ukraine
|
|
|
Nabokov R. et al.
|
Semiotic field of directing at the beginning of the XXI century = Campo semiótico de la dirección a principios del siglo XXI / Mykola Krypchuk, Roman Nabokov, Viktoriia Rozhkovska, Kateryna Chepura, Hanna Sukhomlyn // Salud, Ciencia y Tecnologia - Serie de Conferencias. — 2024. — Vol. 3. — [P. 1-9].
Author keywords: art; cinematography; interpretation; sign system; symbols
|
|
|
Kosachova O.
|
War Film: Morphological and Dramaturgical Analysis / Olga Kosachova // Culture and art in modern scientific discourse / Vasyl Sheyko, Natalya Kushnarenko, Nataliia Maksymovska, Kostiantyn Kysliuk, Svitlana Rybalko, Volodymyr Myslavskyi, Olga Kosachova, Svitlana Fievralova, Victoriia Khvorostenko : monograph. — Kharkiv : TECHNOLOGY CENTER, 2023. — P. 150-181.
Author keywords: Character; Dramaturgical confficts; Dramaturgy; Feature film; Genre; Genre conventions; Genre diWusion; Plot; Script; War film
|
|
|
Myslavskyi V.
|
The birth and establishment of film education in Ukraine (1916–1930) / Volodymyr Myslavskyi // Culture and art in modern scientific discourse / Vasyl Sheyko, Natalya Kushnarenko, Nataliia Maksymovska, Kostiantyn Kysliuk, Svitlana Rybalko, Volodymyr Myslavskyi, Olga Kosachova, Svitlana Fievralova, Victoriia Khvorostenko : monograph. — Kharkiv : TECHNOLOGY CENTER, 2023. — P. 127-149.
Author keywords: All-Ukrainian photo and film administration; Cinematography; History of cinema; History of film education in Ukraine
|
|
|
Myslavskyi V.
|
The Formation of the Film Business in Ukraine (1896–1916) / Volodymyr Myslavskyi // Apparatus. — 2023. — № 16 : The Haunted Medium II: Moving Images in the Russian Empire.
Author keywords: cinema of the Russian Empire; film business; history of Ukrainian cinema; pre-revolutionary cinemas; pre-revolutionary film distribution; Ukraine
|
|
|
Horyslavets Y.
|
Communication in Audiovisual Culture as a Separate Sign System / Yevhen Horyslavets // Studies in Media and Communication. — 2022. Vol. 10, № 3. P. 28-33.
Author keywords: cinema; coding; formula; frame; hypertextuality; interactivity; media culture; script; sign system
|
|
|
